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We filmed two different segments with him. One paired him with some throat singers from Tuva on a version of ‘Maralinga’, shot somewhere near Woomera on a train full of artists on their way to WOMAD. The other was a one-on-one interview which we shot in St Kilda; we talked about song writing. I was struck by the fact that Paul is driven by a similar impulse to my own, namely an ongoing fascination with music in its many forms. This deep curiosity has in recent years seen him explore different genres, introduce his love of poetry to his wide and receptive fan base, and record with me. We first worked together on a project with the Australian Art Orchestra, called Meet Me in the Middle of the Air. That involved a ten-piece ensemble, small gospel choir, Vika and Linda Bull and Paul, singing my arrangements of songs of his which all had biblical references. It was great fun, and we toured it nationally in 2010. Recently, I was asked to curate a series of concerts at the UKARIA Cultural Centre in Mt Barker, SA, in which I work in duo settings with various singers. I asked Paul and he agreed. It was apparent from the outset that the music was clicking, so Paul proposed that we record it. The recording took place at Monash Uni Clayton Campus late in 2019 in a beautiful room that I had a hand in designing, called the David Li Sound Gallery. We were there for three days; it was all very relaxed. All of the songs were already part of Paul’s extensive catalogue. I transcribed them, and adapted them for the piano\/voice combination. In addition, I threw in a ballad by Cole Porter called ‘Every Time We Say Goodbye’, which Paul delivers in an understated, sensitive way. The album has a classic ‘fireside’ feel, influenced by the Frank Sinatra\/Nelson Riddle collaborations (particularly ‘In the Wee Small Hours’) and the Tony Bennett\/ Bill Evans recordings (particular favourites of mine). The performances are intimate, and shine a light on lyrical moments from the Kelly oeuvre. Paul is a generous collaborator, always listening closely to what I am doing, and giving me the freedom to bring my own interpretation to the songs. I think people will hear, and hopefully enjoy, the deep communication that we are bringing to the performances.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Note From PAUL KELLY\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-sheets-formula-bar-text-style=\"font-size:16px;color:#000000;font-weight:normal;text-decoration:none;font-family:''docs-Calibri'';font-style:italic;text-decoration-skip-ink:none;\"\u003ePaul G didn’t mention that we had worked together once before our Meet Me In the Middle of the Air collaboration. Sometime in the early nineties I was booked to perform my song Winter Coat on the Steve Vizard show. Paul was the musical director and had done a beautiful string arrangement which we ran through with the players – mostly young music students - at the sound check in the afternoon. It was all sounding really good. Come the performance, though, one of the violinists came in a bar early (or a bar late, I don’t remember which) and, doggedly fixed on the music in front of him, failed to adjust and so played the music one bar out all the way to the end of the song. I remember thinking ,“We can’t stop this, we’re live on national TV, so I’ll just keep singing. Surely, he’ll realize he’s out and stop and pick it up again in the right spot!” That didn’t happen, though, and a strange dissonance rang out all around the country. Weirdly, it kind of worked. The off-kilterness seemed to go with the lyrics. And, who knows, perhaps there are composers out there today who have been exploring experimental harmonic paths ever since. So, of course, Winter Coat was the first song on my list when we started discussing titles for this record. We served it up straight this time but that first performance together, in a way, set a template for our collaborations since. The reason I love working with Paul is that he always surprises me. He’s endlessly fertile, turning my songs inside out and upside down (to quote Diana Ross) and finding things in them I didn’t know were there. And that makes me sing them differently. Singing with Paul is like walking a tightrope. It’s as if we are acrobats together. We have to pay serious attention to one another to pull the songs off. I like that. As Paul mentioned, all the songs except one were written by me over many years. The most recent one, True To You, opens the album with a little nod to the Gershwin Brothers and it’s the only song that hasn’t appeared in another form on a previous record. We chose the other songs with a mind to their suitability for direct address, close, concentrated performance and room for silence to draw the listener in. So, light the fire, make a hearty one-pot meal for the one you love, open a bottle of wine and get comfortable. Now drop the needle and turn up the stereo. There’s plenty of space here for all. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-formula-bar-text-style=\"font-size:16px;color:#000000;font-weight:normal;text-decoration:none;font-family:''docs-Calibri'';font-style:italic;text-decoration-skip-ink:none;\"\u003e-PK\u003c\/span\u003e\u003c\/p\u003e","brand":"Paul Kelly \u0026 Paul Grabowsky","offers":[{"title":"Default Title","offer_id":49672473641244,"sku":"GAWD031LP","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-paul-grawbowsky-please-leave-your-light-on-lp.png?v=1724159766"},{"product_id":"paul-kelly-professor-ratbaggy-lp","title":"Professor Ratbaggy (LP)","description":"\u003cp\u003eOriginally released in April 2000, this eponymous debut has been re-issued. \u003cem\u003eProfessor Ratbaggy\u003c\/em\u003e is Paul Kelly and Andy Baldwin; it is, if you like, Paul's electronic voice in his folky wilderness. Leaning heavily towards dub, Kelly's obvious intention is to maintain the standards of traditional songwriting while applying the diversity of sounds that electronic production allows. So don't expect underground, experimental club tunes; this is still about a pleasing song. He keeps it fairly minimal, which is probably why he's gone to dub and breakbeat for drum lines and open melodies with the odd lyric to remind us it's good old Paul Kelly at the helm.\u003c\/p\u003e","brand":"Paul Kelly","offers":[{"title":"Default Title","offer_id":49672473837852,"sku":"GAWD013LP","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-professor-ratbaggy-lp.jpg?v=1724160606"},{"product_id":"paul-kelly-songs-from-the-south-paul-kellys-greatest-hits-1985-2019-2lp","title":"Songs From The South: Paul Kelly's Greatest Hits 1985-2019 (2LP)","description":"\u003cp\u003eAustralia’s greatest and most enduring songwriter, Paul Kelly, brings fans \u003cem\u003eSongs From The South 1985-2019\u003c\/em\u003e, a collection of songs that spans the depth and breadth of his illustrious career including recent studio album releases, \u003cem\u003eLife Is Fine\u003c\/em\u003e and \u003cem\u003eNature\u003c\/em\u003e. The 2CD also features a brand new track \"When We're Both Mad \u0026amp; Old\" with Kasey Chambers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe tracklisting showcases some of this country’s most revered songs – \"Before Too Long,\" \"Darling It Hurts,\" \"Leaps And Bounds,\" \"To Her Door,\" \"Dumb Things,\" \"From Little Things Big Things Grow\" and the Christmas classic \"How To Make Gravy,\" alongside recent gems such as \"Firewood \u0026amp; Candles,\" \"Rising Moon,\" \"With The One I Love\" \u0026amp; \"Every Day My Mother’s Voice.\"\u003c\/p\u003e","brand":"Paul Kelly","offers":[{"title":"Default Title","offer_id":49672474067228,"sku":"GAWD029LP","price":44.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-songs-from-the-south-1985-2019-2LP.jpg?v=1724161029"},{"product_id":"paul-kelly-spring-and-fall-lp","title":"Spring And Fall (LP)","description":"\u003cp\u003e\u003cem\u003eSpring And Fall\u003c\/em\u003e arrives on the heels of an extended period of retrospective activity, during which Kelly celebrated his extensive body of work with the release of the career-spanning 40-song compilation Paul Kelly's \u003cem\u003eGreatest Hits: Songs From The South\u003c\/em\u003e, the memoir \u003cem\u003eHow To Make Gravy\u003c\/em\u003e and the eight-CD, 105-song live box \u003cem\u003eThe A To Z Recordings\u003c\/em\u003e, \u003cem\u003eSpring And Fall\u003c\/em\u003e, a song cycle which tells a love story from multiple points of view.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003ePaul explains, \u003cem\u003e\"Noticing that people are listening to music more and more now in a grazing kind of way, picking a song here and a song there, spurred me on to try and make a record that would take a stand on behalf of the ALBUM. I'm a music grazer with the best of them but there is still a deep satisfaction in encountering a set of songs that unfolds from start to finish and demands to be heard in its entirety.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded with J Walker from Machine Translations and Paul's nephew Dan Kelly in a country hall last July, the new album features cameos from long time collaborators Peter and Dan Luscombe on drums and piano respectively. Guest vocalists on the album are Laura Jean and Vika and Linda Bull. Husband and wife team Atila and Karoline Kuti add violin, viola and cello, and the renowned recorder player Genevieve Lacey lends an exquisite performance to one track.\u003c\/p\u003e","brand":"Paul Kelly","offers":[{"title":"Default Title","offer_id":49672474198300,"sku":"GAWD022V","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-spring-and-fall-lp.jpg?v=1724159835"},{"product_id":"paul-kelly-stolen-apples-lp","title":"Stolen Apples (LP)","description":"\u003cp\u003eWith an overarching theme of religion, \u003cem\u003eStolen Apples\u003c\/em\u003e is proof positive that Paul's songwriting mojo is in fine working order, as is his distinctive, lived-in voice, now as familiar as family. His radar for great stories is as strong as ever, too.\u003cbr\u003e\u003cbr\u003eThe sessions for\u003cem\u003e Stolen Apples\u003c\/em\u003e, which mainly took place in his garden shed, have borne high quality fruit in the form of \u003cem\u003eStolen Apples\u003c\/em\u003e - cementing Paul Kelly as the the renowned troubadour, humanist and barstool philosopher - one who has rarely stood still since the day he first slung on his guitar.\u003c\/p\u003e","brand":"Paul Kelly","offers":[{"title":"Default Title","offer_id":49672474329372,"sku":"GAWD018LP","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-stolen-apples-lp.jpg?v=1724160631"},{"product_id":"paul-kelly-the-messengers-so-much-water-so-close-to-home-lp","title":"So Much Water So Close To Home (LP)","description":"\u003cp\u003e\u003cem\u003eSo Much Water\u003c\/em\u003e was originally released in August 1989. The title comes from a short story of the same name by author Raymond Carver. Carver had died in August 1988. Kelly went on to co-write the score for the 2006 Australian film Jindabyne, which was also based on the same story. The entire album was recorded in the U.S. with producer Scott Litt, best known for his work with R.E.M.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003eThe album peaked at #10 on the ARIA album charts and boasted the singles, \"Sweet Guy\", \"Careless\" and \"Most Wanted Man in the World\". An album which focuses on and is true to Paul Kelly's intriguing knack of fiction telling - while at the same time employing more romance and poetry; 'So Much Water So Close To Home' - over 20 years later is a classic of it's genre.\u003c\/p\u003e","brand":"Paul Kelly \u0026 The Messengers","offers":[{"title":"Default Title","offer_id":49672475050268,"sku":"GAWD004LP","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-so-much-water-so-close-to-home-lp.jpg?v=1724160384"},{"product_id":"paul-kelly-the-messengers-words-and-music-lp","title":"Words and Music (LP)","description":"\u003cp\u003eHaving returned to Australia and formed a new back-up band made up of old friends who happened to also be the elite of Melbourne's music scene, Paul Kelly was back to his best with 1998's \u003cem\u003eWords And Music\u003c\/em\u003e. There were hit singles \"Tease Me,\" and \"It Started With A Kiss,\" as well as a handful of other diverse instant classics \"Nothing On My Mind\" and \"Melting\".\u003c\/p\u003e","brand":"Paul Kelly \u0026 The Messengers","offers":[{"title":"Default Title","offer_id":49672475181340,"sku":"GAWD011LP","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-words-and-music-2lp.jpg?v=1724160551"},{"product_id":"paul-kelly-thirteen-ways-to-look-at-birds-2lp","title":"Thirteen Ways To Look At Birds (2LP)","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This is the 2-LP vinyl edition of the 2019 Best Classical ARIA Award-winning album ‘13 Ways to Look at Birds’ album. This edition has a new, exclusive track: ‘Eurydice and the Tawny Froumouth’Thirteen Ways to Look at Birds brings six musicians from broad-ranging backgrounds together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. It features the Seraphim Trio with Anna Goldsworthy on piano, Helen Ayres on violin and Tim Nankervis on cello, along with composer James Ledger and singer-songwriters Paul Kelly and Alice Keath. The latter sings harmony and background vocals on The Darkling Thrush, Leda and the Swan, A Barred Owl, Ode to a Nightingale, Thornbills, The Windhover and The Magpies and the lead vocal on Proud Songsters.\\n\\nTRACK LIST\\n1. Black Cockatoos (Judith Wright)\\n2. The Darkling Thrush (Thomas Hardy)\\n3. Leda and the Swan (WB Yeats)\\n4. Barn Owl (Gwen Harwood)\\n5. Mudlarking\\n6. A Barred Owl (Richard Wilbur)\\n7. \\\"Hope\\\" is the thing with feathers (Emily Dickinson)\\n8. Ode to a Nightingale (John Keats)\\n9. Proud Songsters (Thomas Hardy)\\n10. Murmuration11. Thornbills (Judith Wright)\\n12.The fly (Miroslav Holub)\\n13. Eurydice and the Tawny Frogmouth\\n14. Black Swan\\n15. The Death of the Bird (AD Hope)\\n16. The Windhover (Gerard Manley Hopkins)\\n17. The Magpies (Denis Glover)\"}' data-sheets-userformat='{\"2\":12737,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":1,\"11\":4,\"15\":\"Arial\",\"16\":11}' data-mce-fragment=\"1\"\u003eThis is the 2-LP vinyl edition of the 2019 Best Classical ARIA Award-winning album ‘\u003cem\u003e3 Ways to Look at Birds\u003c\/em\u003e album. This edition has a new, exclusive track: \"Eurydice and the Tawny Froumouth\". \u003cem\u003eThirteen Ways to Look at Birds\u003c\/em\u003e brings six musicians from broad-ranging backgrounds together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. It features the Seraphim Trio with Anna Goldsworthy on piano, Helen Ayres on violin and Tim Nankervis on cello, along with composer James Ledger and singer-songwriters Paul Kelly and Alice Keath. The latter sings harmony and background vocals on \"The Darkling Thrush,\" \"Leda and the Swan,\" \"A Barred Owl,\" \"Ode to a Nightingale,\" \"Thornbills,\" \"The Windhover\" and \"The Magpies\" and the lead vocal on \"Proud Songsters.\"\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This is the 2-LP vinyl edition of the 2019 Best Classical ARIA Award-winning album ‘13 Ways to Look at Birds’ album. This edition has a new, exclusive track: ‘Eurydice and the Tawny Froumouth’Thirteen Ways to Look at Birds brings six musicians from broad-ranging backgrounds together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. It features the Seraphim Trio with Anna Goldsworthy on piano, Helen Ayres on violin and Tim Nankervis on cello, along with composer James Ledger and singer-songwriters Paul Kelly and Alice Keath. The latter sings harmony and background vocals on The Darkling Thrush, Leda and the Swan, A Barred Owl, Ode to a Nightingale, Thornbills, The Windhover and The Magpies and the lead vocal on Proud Songsters.\\n\\nTRACK LIST\\n1. Black Cockatoos (Judith Wright)\\n2. The Darkling Thrush (Thomas Hardy)\\n3. Leda and the Swan (WB Yeats)\\n4. Barn Owl (Gwen Harwood)\\n5. Mudlarking\\n6. A Barred Owl (Richard Wilbur)\\n7. \\\"Hope\\\" is the thing with feathers (Emily Dickinson)\\n8. Ode to a Nightingale (John Keats)\\n9. Proud Songsters (Thomas Hardy)\\n10. Murmuration11. Thornbills (Judith Wright)\\n12.The fly (Miroslav Holub)\\n13. Eurydice and the Tawny Frogmouth\\n14. Black Swan\\n15. The Death of the Bird (AD Hope)\\n16. The Windhover (Gerard Manley Hopkins)\\n17. The Magpies (Denis Glover)\"}' data-sheets-userformat='{\"2\":12737,\"3\":{\"1\":0,\"3\":1},\"9\":0,\"10\":1,\"11\":4,\"15\":\"Arial\",\"16\":11}' data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Paul Kelly","offers":[{"title":"Default Title","offer_id":49672475443484,"sku":"3578735","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-thirteen-ways-to-look-at-birds-2lp.jpg?v=1724156184"},{"product_id":"paul-kelly-uncle-bill-smoke-lp","title":"Smoke (LP)","description":"\u003cp\u003eLP\u003c\/p\u003e\n\u003c!----\u003e","brand":"Paul Kelly \u0026 Uncle Bill","offers":[{"title":"Default Title","offer_id":49672475705628,"sku":"GAWD012LP","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-and-uncle-bill-smoke-lp.jpg?v=1724160582"},{"product_id":"paul-kelly-wanted-man-lp","title":"Wanted Man (LP)","description":"\u003cp\u003eAfter a music career already spanning over three decades, \u003cem\u003eWanted Man\u003c\/em\u003e was released in 1994 - was Paul Kelly's first solo studio album. Backed by a band of mostly American session players (Kelly was living in America at the time), it was a fairly straight-ahead presentation of a new set of Kelly compositions.\u003c\/p\u003e\n\u003cp\u003eStand-outs included \"God's Hotel\" (based on a poem by Nick Cave), the lilting \"Song From The Sixteenth Floor,\" the reggae-tinged \"We've Started A Fire\" and the tongue-in-cheek rock of \"Everybody Wants To Touch Me.\"\u003c\/p\u003e","brand":"Paul Kelly","offers":[{"title":"Default Title","offer_id":49672475967772,"sku":"GAWD008LP","price":25.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/paul-kelly-wanted-man-lp.jpg?v=1724160532"},{"product_id":"paul-kelly-ways-ways-and-means-2lp","title":"Ways \u0026 Means (2LP)","description":"\u003cp\u003e\u003cem\u003eWays \u0026amp; Means\u003c\/em\u003e was originally released in February 2004, and peaked at #13 on the ARIA Albums Charts. It won the 2004 ARIA Music Award for Best Adult Contemporary Album. \u003c\/p\u003e\n\u003cp\u003eA NOTE FROM PAUL:\u003cbr\u003e\u003cem\u003e\"A lot of the songwriting for Ways and Means goes back to August 2002 when Peter Luscombe, Bill MacDonald, Dan Luscombe (hereafter referred to as Danel), Dan Kelly (Dank) and myself began jamming once a week in a rehearsal room. Dank and I were sharing a house and had a few co-written tunes already up and running. Everyone else brought in ideas and by early 2003 we had a stack of music recorded on ye olde trusty beat box. I did a lot of walking around the neighbourhood over the next few months pounding out lyrics for the tunes to my brain. By June we had enough to start work with Tchad Blake who came over to co-produce. We recorded 24 songs over three weeks and drank around 50 bottles of wine.\u003cbr\u003e\u003cbr\u003eThen in July Tchad and I mixed the record in the lovely west country of England. For trainspotters, Danks in the right speaker, Danel in the left and Peter, Bill and I are in both. While we were waiting for the record to come out the five of us, now known as The Boon Companions, collaborated on music for a film by Alkinos Tsilimidos entitled Missing Tom. 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