{"title":"Colin Davis","description":"","products":[{"product_id":"boston-symphony-orchestra-colin-davis-sibelius-symphonies-nos-5-and-7-tapiola-2lp","title":"Sibelius: Symphonies Nos. 5 \u0026 7; Tapiola (2LP)","description":"\u003cp\u003eWhen Colin Davis’s first Sibelius cycle with the Boston Symphony Orchestra was released in 1977, one of the world’s most august record clubs — the Carnegie Hall Selection Committee — deemed it definitive: “the leading Sibelius conductor of our time joining forces with what may well be the finest Sibelius orchestra in the world”. When Symphonies 5 and 7 were recorded to four-track in January 1975, Symphony Hall Boston was no stranger to experiments in quadraphonic recording ever since Deutsche Grammophon became the orchestra’s exclusive record label in 1970; however by the mid-1970s, quadraphony was all but abandoned and this album was never released as a quad LP.\u003c\/p\u003e\n\u003cp\u003eFor this release Rainer Maillard at Emil Berliner Studios has used the original, edited four-track quadraphonic master tape to make a new stereo mix sent directly to the cutter head. This preserves a pure analogue path throughout. The Philips engineers of the 1970s would similarly have mixed the four front and rear channels before cutting but this downmix would have resulted in a two-track stereo copy for mastering, whereas here the lacquer is cut directly from a ‘live’ mix into stereo from the four Quad channels. Sonic results have been further enhanced by distributing the recording across three sides instead of the original double-sided LP. This has also enabled us to include Davis’ December 1975 recording of Sibelius’s last major orchestral work, Tapiola on the fourth side.\u003c\/p\u003e\n\u003cp\u003e“No one listening to Colin Davis’s cycle of Sibelius symphonies will be left in any doubt that here is a born Sibelian and that these recordings are a very considerable achievement” — Gramophone, 1977\u003cbr\u003e\u003c\/p\u003e","brand":"Boston Symphony Orchestra \/ Colin Davis","offers":[{"title":"Default Title","offer_id":53725788274972,"sku":"4871495","price":74.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/Colin-Davis-Sibelius-2LP.png?v=1768438584"},{"product_id":"colin-davis-the-boston-legacy-13cd-box-set","title":"Colin Davis – The Boston Legacy (13CD Box Set)","description":"\u003cp\u003eReissued complete for the first time, the recorded legacy of Sir Colin Davis and the Boston Symphony Orchestra on Philips, including an unsurpassed cycle of Sibelius symphonies.\u003c\/p\u003e\n\u003cp\u003eEach element of the tricky chemistry came off when Colin Davis made his debut with the Boston Symphony Orchestra in 1967, in concerts of Berlioz, Stravinsky and Dvořák. In search of a new Principal Conductor at the time, the BSO offered the post to Davis, but he preferred to focus his energies on the directorship of the Royal Opera in London. However, he began making regular return visits to Boston, and in 1974 became the orchestra’s Principal Guest Conductor.\u003c\/p\u003e\n\u003cp\u003eAs the most ‘European’-sounding of the great American orchestras, the BSO responded with natural affinity to Davis’s sense of line and cultivated warmth in canon repertoire. When he began to explore Sibelius with them, both the orchestra and audience responded with cautious curiosity which blossomed into committed enthusiasm. Philips capitalised on this affinity by recording them together in the complete symphonies and selected tone-poems between 1975 and 1980, successfully capturing the intensity of the associated concerts.\u003c\/p\u003e\n\u003cp\u003eWhile the Sibelius cycle has maintained a firm place in the catalogue, other albums in the BSO\/Davis discography have fallen from prominence. They include a fizzing Mendelssohn album of the ‘Italian’ Symphony and excerpts from A Midsummer Night’s Dream; a delectably sprung set of excerpts from Schubert’s Rosamunde, and one of the first-ever versions of the ‘Great’ C major Symphony to include all the repeats.\u003c\/p\u003e\n\u003cp\u003eDavis had a long-established harmonious working relationship with Claudio Arrau, and the Chilean pianist came to Boston to record magisterial, lovingly detailed versions of the concertos by Schumann, Grieg and Tchaikovsky. While Tchaikovsky is hardly a name associated with Davis, the conductor also drew remarkable tension, energy and volume from his Boston forces in Romeo and Juliet and the 1812 Overture.\u003c\/p\u003e","brand":"Colin Davis","offers":[{"title":"Default Title","offer_id":54053865816348,"sku":"4847627","price":121.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/ColinDavis_TheBostonLegacy_13CDBoxSet_packshot.png?v=1776729520"}],"url":"https:\/\/shop.umusic.com.au\/collections\/colin-davis-1.oembed","provider":"uMusic Shop Australia","version":"1.0","type":"link"}