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The recording showcases their multi-generational musical talent in a range of festive favourites. “We are offering our small, intimate, and heartfelt gift to anyone who wishes to share in the soundtrack of Christmas in the Bocelli household,” the family says.\u003c\/p\u003e\n\u003cp\u003eMORE INFORMATION\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Family Christmas\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecaptures the Bocelli festive spirit in full flow, with new renditions of traditional carols arranged for all three voices, including \"Away in a Manger\" and \"Joy To The World,\" plus popular Christmas tunes from around the world such as \"Feliz Navidad\" and \"Il Giorno Piu Speciale,\" another brand new track written by Federica Abbate, Cheope, Katoo and Andrea Bocelli. The trio of complementary voices intertwine and echo on the song \"Do You Hear What I Hear?,\" which provides a stirring opening to the album. Reflecting on their new album\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA Family Christmas\u003c\/em\u003e, Matteo concludes, “Singing each of these songs together, sharing the emotions associated with a holiday that express familial warmth and love, was and will continue to be our personal gift, given and received, to be unwrapped under the tree, which we will cherish the rest of our lives.”\u003c\/p\u003e","brand":"Andrea, Matteo, Virginia Bocelli","offers":[{"title":"Default Title","offer_id":49569791672604,"sku":"4828037","price":49.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/andrea-matteo-virginia-bocelli-a-family-christmas-exclusive-lp_1000x1000_9a6730c9-a195-4403-b74d-bcf21a89056a.png?v=1793064781"},{"product_id":"gurrumul-the-gurrumul-story-lp","title":"The Gurrumul Story (LP)","description":"\u003cp\u003e\u003cem\u003eThe Gurrumul Story\u003c\/em\u003e is the first ever anthology of the nine time ARIA award-winner’s most enduring and popular songs.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LP contains an alternate version of the song 'Bayini' from Gurrumul’s sophomore album \u003cem\u003eRrakala\u003c\/em\u003e. A rare duet version featuring a touching contribution by Australian singer\/songwriter Sarah Blasko.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Gurrumul","offers":[{"title":"Default Title","offer_id":49672391229724,"sku":"3586209","price":39.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/TheGurrumulStory_LP___01.png?v=1793846522"},{"product_id":"paul-kelly-thirteen-ways-to-look-at-birds-2lp","title":"Thirteen Ways To Look At Birds (2LP)","description":"\u003cstyle type=\"text\/css\" data-mce-fragment=\"1\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cp\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This is the 2-LP vinyl edition of the 2019 Best Classical ARIA Award-winning album ‘13 Ways to Look at Birds’ album. This edition has a new, exclusive track: ‘Eurydice and the Tawny Froumouth’Thirteen Ways to Look at Birds brings six musicians from broad-ranging backgrounds together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. It features the Seraphim Trio with Anna Goldsworthy on piano, Helen Ayres on violin and Tim Nankervis on cello, along with composer James Ledger and singer-songwriters Paul Kelly and Alice Keath. The latter sings harmony and background vocals on The Darkling Thrush, Leda and the Swan, A Barred Owl, Ode to a Nightingale, Thornbills, The Windhover and The Magpies and the lead vocal on Proud Songsters.\\n\\nTRACK LIST\\n1. Black Cockatoos (Judith Wright)\\n2. The Darkling Thrush (Thomas Hardy)\\n3. Leda and the Swan (WB Yeats)\\n4. Barn Owl (Gwen Harwood)\\n5. Mudlarking\\n6. 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This edition has a new, exclusive track: \"Eurydice and the Tawny Froumouth\". \u003cem\u003eThirteen Ways to Look at Birds\u003c\/em\u003e brings six musicians from broad-ranging backgrounds together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. It features the Seraphim Trio with Anna Goldsworthy on piano, Helen Ayres on violin and Tim Nankervis on cello, along with composer James Ledger and singer-songwriters Paul Kelly and Alice Keath. The latter sings harmony and background vocals on \"The Darkling Thrush,\" \"Leda and the Swan,\" \"A Barred Owl,\" \"Ode to a Nightingale,\" \"Thornbills,\" \"The Windhover\" and \"The Magpies\" and the lead vocal on \"Proud Songsters.\"\u003c\/span\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"This is the 2-LP vinyl edition of the 2019 Best Classical ARIA Award-winning album ‘13 Ways to Look at Birds’ album. This edition has a new, exclusive track: ‘Eurydice and the Tawny Froumouth’Thirteen Ways to Look at Birds brings six musicians from broad-ranging backgrounds together to interpret bird inspired poems, written by John Keats, Thomas Hardy, Emily Dickinson, Judith Wright, Gerard Manley Hopkins, Gwen Harwood, A D Hope and others. It features the Seraphim Trio with Anna Goldsworthy on piano, Helen Ayres on violin and Tim Nankervis on cello, along with composer James Ledger and singer-songwriters Paul Kelly and Alice Keath. The latter sings harmony and background vocals on The Darkling Thrush, Leda and the Swan, A Barred Owl, Ode to a Nightingale, Thornbills, The Windhover and The Magpies and the lead vocal on Proud Songsters.\\n\\nTRACK LIST\\n1. Black Cockatoos (Judith Wright)\\n2. The Darkling Thrush (Thomas Hardy)\\n3. Leda and the Swan (WB Yeats)\\n4. Barn Owl (Gwen Harwood)\\n5. Mudlarking\\n6. 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Boxes of his complete recordings with the Minneapolis Symphony Orchestra and the Philharmonia Hungarica have revived albums from the 1950s and 60s which set new standards for lifelike sound and intensely engaged performances in the recording studio.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eVolume 1 \u003c\/em\u003eof Doráti’s London recordings covers sessions from July 1956 to July 1961. Conductor and orchestra met for an intensive fortnight each year after the end of the concert season. 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No less valuably, the box brings together the Mercury\/Doráti versions of Bartók’s principal works for the stage, Bluebeard’s Castle (now with the spoken introduction included on CD for the first time) and The Miraculous Mandarin, as well as a definitive recording of The Wooden Prince. \u003cbr\u003eVolume 2 of Dorati’s sessions in London draws on repertoire affinities established in the years covered by Volume 1. There is more sparking Haydn (Symphonies Nos. 59 \u0026amp; 81), the completion of symphony cycles by Brahms and Tchaikovsky, and another three concerto albums with the violinist Henryk Szeryng. Doráti’s coloristic and analytical gifts in music of the Second Viennese School are further explored with a 1962 album of expressionist-era orchestral pieces which won many new friends for this music at the time. 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CD25 of the set includes a previously unpublished radio interview with Irene Dalis and George London, the Kundry and Amfortas in the 1962\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParsifal\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ewith Knappertsbusch, as well as a rehearsal of the Böhm\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTristan\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE INFORMATION\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA quarter-century of postwar Bayreuth recordings, made live at the Festspielhaus by Decca, DG and Philips: this is an absorbing history in sound of Wagner interpretation featuring several albums of timeless authority.\u003c\/p\u003e\n\u003cp\u003eThis survey of Wagner’s mature operas, excluding the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRing\u003c\/em\u003e, takes the listener from\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParsifal\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein 1951 under Hans Knappertsbusch, through to\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDie Meistersinger von N\u003c\/em\u003e\u003cem\u003eürnberg\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eunder Silvio Varviso in 1974. 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Performances here by Wolfgang Windgassen, Hermann Uhde, Ludwig Weber, Birgit Nilsson and others reach a special level of long-breathed intensity almost impossible to sustain under studio conditions.\u003c\/p\u003e\n\u003cp\u003eNone of the conductors involved had worked at Bayreuth before the war. Keilberth, Wolfgang Sawallisch and Karl Böhm all engaged with Wieland in finding a new, flowing but dramatically inflected style in Wagner. Something of this New Bayreuth style also infuses Knappertsbusch’s 1962\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParsifal\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith a unique combination of mystery and rapture. The set includes a previously unpublished radio interview with Irene Dalis and George London, the Kundry and Amfortas in that performance.\u003c\/p\u003e\n\u003cp\u003eLike Knappertsbusch’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParsifal\u003c\/em\u003e, the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTristan und Isolde\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eunder Böhm in 1966 was rapidly recognised as a classic of the gramophone and has hardly been out of print since then, but it is reissued here with the rehearsal sequence included on the final LP of the original set. This ‘Original Covers’ box also includes a booklet essay by Peter Quantrill which explores the history of post-war Bayreuth and the circumstances of each recording.\u003c\/p\u003e\n\u003cp\u003eMany recordings are now legendary, praised then as now:\u003c\/p\u003e\n\u003cp\u003e“an almost perfect realization of Wagner’s last, strangest and deepest thoughts”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Record Guide\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eon Knappertsbusch’s 1955\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParsifal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Arguably the finest live recording ever made in the Festspielhaus”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePenguin Guide\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eon Knappertsbusch’s 1962\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eParsifal\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Extraordinarily well recorded”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHigh Fidelity\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eon Keilberth’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLohengrin\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“The sound is really astonishing”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHigh Fidelity\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eon Keilberth’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFliegende Holländer\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e“Böhm’s flow and surge are completely captivating.”\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOpera on Record\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eon Böhm’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTristan und Isolde.\u003c\/em\u003e\u003c\/p\u003e","brand":"Bayreuth Festival","offers":[{"title":"Default Title","offer_id":51727291777308,"sku":"4847580","price":209.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/P003__RichardWagnerEdition_25CDBoxSet___01.png?v=1794202857"},{"product_id":"benjamin-grosvenor-chopin-piano-sonatas-nos-2-3-cd","title":"CHOPIN: Piano Sonatas Nos. 2 \u0026 3 (CD)","description":"\u003cp\u003e“I could listen to Benjamin Grosvenor play Chopin all day…” wrote a reviewer for Bachtrack. 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Yet Schnabel and Toscanini, among other celebrated foreign musicians, held him in the highest regard. This new Eloquence collection of the conductor’s Decca recordings should help modern listeners to understand and share Schnabel’s admiration.\u003c\/p\u003e\n\u003cp\u003eIn his booklet essay, David Patmore tells the story of Sargent’s early career as an organist and rapid rise as a conductor in his 20s, leading the Ballets russes, Wagner’s Mastersingers and a popular series of children’s concerts. Having made records since the 1920s, he was an experienced conductor in the studio by the time he began recording for Decca, directly after the war. \u003c\/p\u003e\n\u003cp\u003eThese 78-era sessions included symphonies by Haydn, Beethoven and Schubert as well as overtures by Rossini and Suppé, several of them never reissued until now. They reveal what a direct and unmannered interpreter Sargent could be in canon repertoire, coaching orchestras to achieve the highest technical standards. He was always a dynamic conductor of English music: his Decca recordings of Holst’s Planets, Elgar’s Enigma Variations and Coronation Marches have lost none of their rhythmic drive and intensity. \u003c\/p\u003e\n\u003cp\u003eSargent’s concerto sessions with Sir Clifford Curzon (in Rawsthorne), Max Rostal (Bartók), Ida Haendel (Mendelssohn) and Ruggero Ricci (Tchaikovsky and Dvorak) bear out his reputation as a sympathetic accompanist. ‘Messiah and Mikado’ was how the conductor summed up his strengths in the eyes of the wider public: the box includes rare 1946 recordings of Handel arias and choruses featuring Kathleen Ferrier, as well as a live 1949 recording of Sargent accompanying her in his own orchestration of Brahms’ Four Serious Songs.\u003c\/p\u003e\n\u003cp\u003eHaving comprehensively covered the light operas of Gilbert and Sullivan for HMV, Sargent remade both Yeoman of the Guard and Princess Ida for Decca in 1964–65. 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This album is my first purely orchestral one, and to devise and conduct it has brought me great delight, which I hope you, the listener, can share,” says Sir John Rutter.\u003c\/p\u003e","brand":"John Rutter, Steven Osborne","offers":[{"title":"Default Title","offer_id":53021130653980,"sku":"4871478","price":21.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/JohnRutterReflectionsCD.png?v=1758514269"},{"product_id":"luciano-pavarotti-novanta-cd","title":"Novanta (CD)","description":"\u003cp\u003eTogether, Pavarotti and Decca created a legacy of one of the longest exclusive relationships between artist and record label and in celebration of that legacy and for what would have been his 90th birthday (12th October 2025), Decca presents \u003cem\u003eNOVANTA\u003c\/em\u003e – the ultimate greatest hits package of the world’s favourite tenor. This release includes his most popular, signature arias and songs, iconic live moments from some of the biggest concerts ever to take place, alongside rarities, new discoveries, and previously unreleased tracks. Probably the most famous artist in the history of classical music, Pavarotti was a unique phenomenon. Following his death in 2007, his legacy is defined by his capacity to open the world of opera to a wider audience. Listen anew to the performances that thrilled the world.\u003c\/p\u003e","brand":"Luciano Pavarotti","offers":[{"title":"Default Title","offer_id":53088249872668,"sku":"4871405","price":21.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/PavarottiNovantaCD_1.png?v=1759388609"},{"product_id":"ikon-david-hill-howells-sine-nomine-cd","title":"Howells: Sine nomine (CD)","description":"\u003cp\u003eHerbert Howells was perhaps the most distinctive and revered composer of sacred choral music in 20th-century Britain. For many listeners, his choral output will always be associated with his sizeable and significant contribution to the Anglican tradition, but his settings of secular texts should not be overlooked. This album offers a welcome introduction to these, including two works newly arranged for this recording by pianist Iain Farrington.\u003c\/p\u003e","brand":"Ikon, David Hill","offers":[{"title":"Default Title","offer_id":53088249905436,"sku":"CDA68476","price":21.99,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/HowellsSineNomineIkonDavidHill.png?v=1759388158"},{"product_id":"lorin-maazel-lorin-maazel-the-radio-symphonie-orchester-berlin-recordings-14cd-box-set","title":"Lorin Maazel – The Radio-Symphonie-Orchester Berlin Recordings (14CD Box Set)","description":"\u003cp\u003eThe rich and colourful fruits of Lorin Maazel’s first important orchestral tenure, with the Berlin Radio Symphony Orchestra: repertoire from Bach to Stravinsky moulded with the conductor’s renowned finesse and attention to detail. Maazel took over the Radio-Symphonie-Orchester Berlin after the death of Ferenc Fricsay in 1963. He and the orchestra had already worked together extensively, both in concert and on record, ever since he made his Berlin debut with them in 1955. The DG albums of Falla, Franck and Stravinsky are all enduring examples of Maazel’s art at its most sonically brilliant and dynamic, cultivating performances of the greatest agility and contrasts of colour from his players.\u003c\/p\u003e\n\u003cp\u003eFor Philips, Maazel and the RSO Berlin recorded mostly Baroque-era repertoire in an intensive series of sessions shortly after the beginning of his tenure as music director in September 1965. The Philips engineers had found an acoustically optimal venue at a church in the Spandau suburb of Berlin, and they set down several major works by Bach as well as the Water and Fireworks Music of Handel and the Stabat Mater by Pergolesi, with a magnificent vocal duo in Evelyn Lear and Christa Ludwig. Even at the time, the symphonic grandeur of Maazel’s interpretations was regarded as running counter to commonly accepted notions of Baroque style.\u003c\/p\u003e\n\u003cp\u003eBut then, as he explained to an interviewer, ‘We cannot recreate the outer circumstances that gave rise to artistic works of the past … What we can and should do is try as best we can to live up to their greatness in our own manner.’ Maazel’s manner is not so much old-fashioned as individualistic in its contrasts of tempo, smoothly cultivated string sound and high-impact attacks: this is hi-fi spectacular Bach. The Philips series continued with symphonies by Mozart (Nos. 38-41) and Dvorak (No. 9), also raised to rare peaks of expressive intensity. These recordings have never been compiled before, and they shed fresh light on the spectacular early career of a prodigy of the baton. 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Lupu shunned media attention, his discography is not large, but every recording he made had an aura of spirituality and distinction. Decca is proud to present a unique set of recordings – material that has never before been officially published – ranging from ‘lost tapes’ in the Decca archives to recordings sourced from radio stations around the world.\u003c\/p\u003e\n\u003cp\u003eSanctioned by his estate, and presented in a 6-CD capbox, with bespoke jackets for each disc and digital album, Radu Lupu – The Unreleased Recordings is made up entirely of material not otherwise recorded by Lupu and is released to mark what would have been the pianist’s 80th birthday this November. The recordings in this set span more than 30 years, the earliest (Chopin) in the city of Leeds in 1970, following his triumph there the year before at the Leeds Piano Competition, the most recent (Debussy) given as an encore at a concert in Germany in 2002. 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This inventive new line-up of instruments delivers a communal, conversational ‘evening cafe appropriate’ sound. A sound with the flexibility to work across genres, cultures and performance environments.\u003c\/p\u003e","brand":"Nicola Benedetti","offers":[{"title":"Default Title","offer_id":53237397029148,"sku":"4871475","price":21.99,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0874\/0513\/4108\/files\/NicolaBenedettiViolinCafeCD_1.png?v=1761544900"},{"product_id":"patrizio-buanne-napolatino-cd","title":"NapoLatino (CD)","description":"\u003cp\u003eWith over 20 million albums sold worldwide, including more than 500,000 albums in Australia, Patrizio Buanne is firmly established as the world’s most beloved Neapolitan singers. 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